How to Become a Probation Supervisor – Protecting the Judicial System

Do you want to continue your career with making changes? Then you may have to learn how to become a probation officer.

A probation officer is responsible for working with those who prefer to post, or those who have been excluded during the trial period. This is a relatively minimal form of punishment, but these offenders are required to check their probationary officer to make sure they are punished.

Educational Prerequisites

In order to learn how to become a probation officer, you first need to understand the training requirements for work.

Once you have completed your high school diploma or GED, you should turn to a partner and then have a four-year bachelor's degree in criminal justice or law enforcement. During the college program, the field of study should focus primarily on criminal justice, corrections, psychology, criminology or social justice. Nowadays, you can also study your college degree from an accredited institution. However, if you want to finish your career in a federal position, you should try to get to know your master's degree.

In addition to these basic educational requirements, another important element of work includes some previous work experience in the same field, professional correction or consulting experience, computer training, etc.

Necessary Skills

Some of the Essential Skills Required:

  • Understanding and Compassionate Nature
  • Working Under Pressure
  • Spontaneity and Tactility
  • Excellent negotiating ability
  • Strong interpersonal and communication skills [19659010] Quick decision making

Job Tasks

Another aspect you need to know to understand is how probation officers can become probation officers. The main tasks of the probationary period are:

  • Working with offenders off the probationary period
  • Tracking the whereabouts of offenders with the help of follow-up tools
  • Offenders and their friends and their families
  • Conducting evaluation of offenders depending on how they live and where they work
  • Acquisition of pre-trial capacity
  • Evaluating offenders' potential for crimes 19659010] Preparing and writing reports based on his observations
  • Debate with offenders during the crisis

]

Now that you know how can become a probationary officer you can easily decide if you want to work in this field or not.

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Certificate programs for TEFL (English as a Foreign Language)

For those who wish to pursue a career in language teaching, English proficiency is beneficial. Due to the increasing demand for English language learning, many countries are setting up institutes that teach English. The teachers of the institutions may be in English. That is why many universities, colleges and linguistic institutes provide authentic courses for teachers to help them learn different teaching techniques and methods. A good teacher is one who can strengthen and develop the communication skills of trainees or students. It is only possible if the teacher knows the different methods and techniques used in language teaching. The main goal of the teachers is that students or trainees speak English fluently and with confidence. Thus, a teacher with good teaching skills and knowledge of English has many opportunities for a successful career.

Teaching English to students who do not speak English as primary language, or as a foreign language or as a TEFL. Teachers practicing TEFL may be English or non-native speakers. The qualifications required for TEFL may vary from university to university. Many institutions organize teacher-training courses or courses where participants can learn and learn different teaching techniques. If an individual is able to speak English, it does not necessarily mean that he or she can teach English. In order for a person to teach the language, it is very important to know and understand his grammar and know the language teaching techniques. Different types of teaching techniques are used in the TEFL. These include reading, communicative language teaching and mixed training. Reading plays an important role in TEFL.

The teacher or reader reads a book during the inter-row break to explain the concepts and words to the students. Helps students understand the pronunciation and allows them to speak better. Communicative language teaching or CLT involves group work. Helps students develop fluency in conversation and communication and the proper use of grammar. This can be achieved through activities such as role playing. It also helps to build trust. CLT focuses primarily on communication through interaction. The combination of face-to-face teaching and online learning available in a virtual learning environment is called Blended Training. Teachers can train students in a more innovative way by mixing existing courses with games, activities, student practices, and grammar references. This technique can also be used in classrooms and self-study.

Globalization has increased the importance of English as a language. Most schools, colleges and universities encourage the use of English as part of their curriculum. Many companies have offices abroad, and English-speaking communication is preferred. So a good-language teacher has many opportunities to teach English.

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How can you improve your non-verbal skills?

When there is no verbal communication, the messages are sent without words. It is sent through the expression, exercise and appearance of the face. Acquiring good non-verbal skills allows you to influence how others perceive you. Therefore, it is very important to read these tips carefully using this knowledge.

The first step towards effective non-verbal communication is to learn how to maintain eye contact with the person you communicate with. Looking into his eyes, he can always tell the feelings of a person because the eye is the window of the soul. Good non-verbal people see the other eyes well. When they find out that a particular topic is not good, they change it to something more interesting. Remember, do not look at the exit or the clock with someone during a conversation. This is because people tend to notice this operation because they don't care what they are talking about and try to run away from the conversation. This is considered to be rough, even if there is no such intention.

The second step in improving non-verbal communication is to use good posture to inquire during the conversation. The easiest and easiest way to tell others that they are interested in the topic of the conversation is forward-looking or toward them. This action shows that you are satisfied with your presence, enjoy and want to know more about what you say. Smile when you say something nice and show your compassion if something is sad. Use your facial expression to answer what you said, often better than without emotions.

Many practices will be required to further improve non-verbal communication. You can record yourself during the presentation. You can then observe and evaluate that your verbal and non-verbal messages are in sync. Learn to participate with people from different cultures. Learn more about other cultures that minimize the potential for misinterpretation of non-verbal messages. This will help a lot if you try to communicate with people from different backgrounds. Never interpret non-verbal behavior until you understand the situation or culture.

In summary, non-verbal communication plays an important role in social networks. You can start practicing your non-verbal skills by following these tips today. Don't forget to practice hard because there is no short cut to the horn of non-verbal abilities; practice is the perfect golden rule.

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Determining the cause of the communication error

Here are some of the most common factors in communication failure

Kojaj

The code noise occurs when the message's meaning to the sender differs from its meaning to the recipient. Too often, the sender may use "jargon", "pretentious" terminology, or a language belonging to a particular profession or group. The Wall Street Journal reported a federal tax case in which a fire alarm was called a "fuel marker", a door as a "removable partition", a shaft as a "window-like" decorative fixture "." "Action 1 management has an impressive look at some companies deliberately using the term. Understand the message of the sender because it simply means something else, for example, the recipient is distracted by financial concerns or imminent deadlines. Of course, recipients are often not they understand the messages of the sender, because they think instead of answering the answers they focus on the message they will respond to, so effective listening is an important communication skill.

The failure of communication and its various forms can be an extreme failure. For example, honestly, people sometimes call their CVs (sometimes cushioning), their advertising messages (sometimes buffered), and their campaign promises (sometimes politics). Often, the information can be gently distorted for the benefit of the sender. you are a loss of profit, an annual report that tries to hide changes in accounting form, and a drug manufacturer's publication that ignores dangerous side effects.

In fact, certain forms of misunderstanding are so common that the opposite examples are novel. For example, it is almost "common practice" for corporate annual reports to present the events of the year in a positive light. In the 1988 annual report of the poultry producer Holly Farms Corp., the "Dear Stock Exchange" letter broke this form. It has begun: "You already know bad news about our last financial year. We were wrong about chickens. The chicken market has not returned from the publicity of salmonella and we have entered a sharp chicken depression. And bad performance was mostly our fault."

Information retention

Information is a valuable resource. Those who control are in a position of power. Some employees may retain certain types of information, such as a formula or a registration system, and thus make themselves necessary. Others are in positions that allow them to channel channel information or not to different organizations inside and outside the organization. There are still others in positions where they process information and send only a few. Each of these individuals has the opportunity to create barriers to proper communication.

Perceptual Factors

Most detection errors are directly related to communication. For example, due to stereotypes, we may ignore or distort the messages that we have appreciated in some way. For example, the manager feels that unions are unreliable. As a result, the manager may misinterpret church conciliation gestures. Because of our selective approach, we can ignore communication that is contrary to our beliefs and expectations. The Halo error can lead us to judge the evaluation of messages because some of the non-related features of the messenger, such as physical appearance. The wording may lead us to conclude on the basis of our own feelings the message we receive. For example, if we are angry, we can see anger in the message.

Other Factors

Several other things can contribute to communication failure. Time pressure and communication overload can all cause us to ignore messages. We may also focus on the information that will help you quickly make the choice. For example, a harried employment interviewer may seek a reason for rejecting the jobs he / she is considering. Noise in the channel, such as static, can distort messages, especially if the channels are long or not well protected from external influences. A short circuit in which an error is not received by the receiver due to a fault can cause confusion, anger and errors.

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Career Opportunities for Hardware Engineers

Computers have become an inseparable part of our lives. We use computers in different ways in almost every area of ​​life. A computer that simplifies computing makes it simple and simple to operate and store, running on hardware that needs to be configured properly to operate the system efficiently. The task of computer hardware is to make sure that every part of your computer works efficiently. The main purpose of hardware experts is to research, design, develop, analyze and test various computer components.

The computer consists of various components, each having a separate function. In the life of a hardware engineer, one working day includes the analysis of different prototypes based on theoretical models. As more and more domains use computers, hardware upgrades and maintenance are required. As a result, this field is likely to expand with the expansion of the computer and various computing devices.

For these engineers in laboratories, offices, industrial units, etc. They have to work. Few other engineers work on the production site and are involved in on-site problems. Hardware engineers who provide the services directly must be licensed. The world of the Internet is changing and therefore, in order to survive and prosper in this area, it is important that computer hardware professionals constantly update the latest technologies.

Educational Requirement

Computer hardware engineer has at least a computer engineering degree. There are various institutions that offer hardware and networking courses. In addition, electrical and electronic engineering graduates are eligible to continue the course. Bachelor degrees can help you enter the sector, but find large-scale hardware work in the big companies, and the aspirant in the workplace must have a master's degree in computing. Another important criterion for selection is work experience, which provides additional benefits during the interview.

In addition to vocational training, it is also possible for voluntary courses to last for less than one year.

Largest hardware colleges / institutes in India

1 = All IIT
2 = Regional Engineering College, Durgapur
3 = Zakir Hussain College of Engineering and Technology, Aligarh
4 = Sardar Vallabhai Regional College of Engineering and Technology, Surat.
5 = Indian Institute of Hardware Technology, Noida
6 = Birla Institute of Technology, Pilani
7 = Jetking Computer Hardware and Networking Institute

Computer Hardware Engineer and Tracking Skills Good Hardware Work [19659002] In order to build a career in the hardware sector, we need to have creative and analytical abilities, because a lot of work in this sector involves analyzing and understanding inconsistencies and gaps. Those interested in computer hardware engineers need to have programming skills. These engineers need to communicate technical reports and problems to the client, so excellent communication skills are essential.

In addition, understanding the applications and the various devices used in the software hardware interface would work for you. In addition, computer hardware engineers need to be interested in technology and know how to integrate different changes.

Available Computer Hardware Workstations in India

It's hard to find a company or company that doesn't use computers. Therefore, there is a great need for hardware engineers in each sector. Manufacturing companies, research laboratories, and industrial facilities are the areas where computer hardware engineers are employed. When not developing a new model, they carry out maintenance and quality analysis of current designs.

Some engineers decide to become private hardware engineers. You can also contract two or more companies to maintain your computers at work. Counseling is another sector where hardware engineers find the way. Teaching in technical institutions is another area where hardware engineers are needed. This is an extremely profitable field and you can earn perks and incentives with your payment package.

How much can you earn from hardware work?

A hardware engineer can earn an average of 242,037 Rs / year. Your experience would seriously affect the payment package. Most people have a higher position if they have more than 5 years of experience.

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Communication in Today's Fixes (Part One)

Anyone who has ever worked as a police officer or correctional officer knows the following: Brawn or the brain that will be during the day. They also know that you should use both (occasionally) if you succeed in your work.

We know that most of the time in the correctional industry is physical confrontation and not always. the result of our actions. Now I understand that some people disagree with this, but it is a difficult reality. Where do we go wrong, which leads to this kind of confrontation? Communication

We can only communicate with people in two ways: verbal and non-verbal. Most of our communication (about 85-87%) is through body language. We can all say that someone is anxious, happy, crazy, angry, indifferent, gets the point. When our body says it is one thing and our mouth says that we are different, we tend to have problems. We do not regularly have the luxury of firearms, laptops or other types of intermediate weapons inside the correctional facility. If so, trust me when I tell you that the others are very jealous! What do the others leave?

True, some people have lost all their important connections between their brains and their mouths (also called verbal diarrhea), but most of the others are still intact. As an instructor I always ask the same question from my classes: "What is the difference between a correctional officer and a crime?" As expected, the answers are varied: "We'll go home at the end of the day!" – We won't kill anyone! "No one was ripped off" and the list goes on. Then I pause again and ask again.

At this point he looks at me when he looks at their face in confusion. I say to them, “Although you are right not to offend anyone, and to come home at the end of the day, the only difference between them and us is that they were caught and we didn't. "Then I'll continue to ask," Who in the class never did anything in their lifetime that no one is currently doing in a local, county, state, or federal correction facility? "

Remember, I said," Never, they've done nothing in their lives … "We all have. Whether you stole something like a child or an adult (office equipment for anyone?), it's still confusing." When you got home with your friends, he said, "I shouldn't have gone home!" the "humming driving drunk driving" slogan.)

Now that we have established just as much as we do, create another important fact: Not everyone who is imprisoned has filled it all, the rest of their lives behind the grid

Correction departments across the country have moved their old business trip to modern times: rehabilitation and reintegration. we will probably see a common theme: public security, socio-social behavior, reintegration and rehabilitation.

To be able to reintegrate effectively and rehabilitate, we have to do one thing: Communication. Communication in a correctional facility can be divided into four main categories:

1. No communication

2. Operating Communication

3. Human respectable communication

4. Cognitive Reflective Communication

No Communication

Quite Easy: Not Talking, Talking, Pointing, Doing as Saying, and We are Happy.

Operational Communication

We say the least is to do the job and maintain control ("Come here!" There! "" Chow time "" Do it! "" Don't do it! " etc. etc.) Despite the fact that there is still separation between officers and perpetrators, there are more interactions than in the absence of communication, anyone else who meets in public. Using "please" and "thank you" for the offender would offend many correctional officers, being part of a rational and effective communication with a correctional facility. (For more details see the announcement in the second part of today's corrections.)

Cognitive Reflective Communication

This is the most difficult form of communication that includes the willingness of a person to think and change behavior, thinking process, and accept the consequences of their actions. And what do most of us most hate? Change! And this is the reason why the most difficult form of communication / thought is

After learning how to communicate effectively, we can reduce the problems we face every day and increase our security factor "exponentially. The evidence is in the pudding …

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Forms of Business Communication

All the best performances, writing and communication that you can do will become meaningless without using the right communication tool. The right medium is determined by the organizational requirements of the organization, first at the internal and external levels, and then at the individual level

Employees only know things through good communication with their supervisors and managers. Managers are responsible for communicating with employees to achieve the best results in the business. Good internal communication can help employees to perform better and be more committed to the overall success of organizations. In order to create greater trust between managers, trade unions (where applicable) and employees, managers are better off and make better decisions. When an employee feels part of the decision-making process and participates in the company, it helps to increase employee satisfaction.

Employees should be able to ask questions and get answers to understand the information they provide. They should be able to discuss such information through appropriate channels to determine their own reactions and develop their own ideas. In this way, employees understand the goals of the company and become more aware of the opportunities or constraints facing the company.

Employee communication is a top priority for senior management. In this regard, research reports claim that today's employee is more likely to get face-to-face information, either in one or in a small group. Colleagues want to hear news from their supervisors or other well-established sources. However, the new emphasis on opposing communication does not mean that other means of disseminating information are outdated. Lesser-used forms are those that are ineffective, misdirected, or meaningless.

Three forms of media commonly used in internal and external business communication may be used, depending on the needs and objectives of the organization. or the communication situation:

  • Audiovisual Presentations
  • Written Communication
  • Human Oral Communication

Each has its own advantages and uses as a complement to targeted business and corporate communications.

Audio-visual images should be used when complementing oral and sometimes written communication. Properly used, they can be very useful in depicting specific points and ideas

Written media communication forms can be viewed as printed hardware or without printing, such as e-mails. The writing plays an important role in many managerial and professional communications in both internal and external areas. The most common and most important written media are letters and notes, reports, manuals, formal orders, brochures, professional papers, advertisements, etc.

Oral human communication is obviously a personal meeting, but it also includes group presentations, conferences and group discussions. .

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How to communicate with global partners

Global partners, members of the long distance team and virtual manufacturers need one thing. Effective presentation skills for effective communication. Do you have the appropriate training to communicate successfully in a global marketplace?

Last week, a new coaching client approached me with this question: "How can I communicate, so my message is clearly visible to global partners who speak a different language?"

I always get this question.

Long answer … and a short answer.

I'll give you the short.

Talk to a visual language. Share your story with pictures that go beyond the various verbal languages. Talk in a colorful, vivid combination of images and worlds.

Of course, some people throw their eyes and throw their hands.

"But I have no visual bone in my body!"

"But I can't draw a straight line!"

"But most left-wing brain guys you ever meet."

Trust me. I understand. But I still hope.

This kind of comment prompted me to create extremely simple cheat sheets, icon-book manuals and step-by-step guides for drawing icons.

I made it so simple that even if you have zero artistic talent, grab a marker and run (not walk) on the board.

But if you haven't seen the sketchy tools of cool tables in my Visual Storytelling course, you can contact global partners with visual thinking. Even if you haven't heard of the new iPhone application, TheMagicMarker (.) Com, which shows you how to draw icons in a snap, it's still possible.

Now I will show you how to speak a visual language in three easy steps. This will help you grasp ideas, simplify complex business concepts, and impress your customers with stunning images.

Step 1: Displaying Concepts with Shapes

I bet you can draw a circle, a square and a triangle, right? I thought. These three shapes can reach you through an important meeting – from start to finish.

Draw from left to right – make a big circle, then a square and a triangle in the middle. Draw a triangle with a point to the right of the table.

Step 2: Write Keywords in Shapes

Enter an address for each shapes. For example, write in the circle: "Why are we here?" In the square: "What we have to decide." In the triangle, "The Next Steps."

See? It wasn't that rough!

If you want to write less, it can be divided into three words: goal, decision and action. It is a very useful and flexible arrangement for a well organized meeting with global clients and partners.

Of course, if you have three different keywords, use them. Make sure the titles match what you're discussing during the presentation.

Step 3: Purchase a Procurement from the Group

If you work in a personal session, talk and discuss people. Brainstorm Solutions Together. Record ideas when people talk to document the conversation.

Tip: If you run out of room, add more ideas to the flip chart and put it under the shape you are discussing.

Otherwise, if you are working on a virtual presentation, make sure that everyone draws the same three shapes. This provides a common language and a common experience for partners in different locations.

Although there is much more to draw ideas and dazzle customers, it is a strong start.

After seeing how it works and how productive it is you want to use more images to make global meetings come true! If it is important for you to get results with global partners, increase your sales and problem solving capabilities with the board.

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Electronic Music History and Today's Best Modern Sponsors!

The history of electronic music has for decades preceded the rock and roll era. Most of them were not even on this planet when they started the often obscure, undervalued and misunderstood development. Today, this "other secular" tone, which began nearly a century ago, no longer seems strange and unique, as most of the new generations have been accepted as the mainstream, but it was a shocking journey and acceptance by the public.

Many musicians – modern supporters of electronic music – developed a passion for analogue synthesizers in the late 1970s and early 1980s, such as Gary Numan's breakthrough, "Are Friends Electric?" In this era, these devices are smaller, more accessible, user-friendly and more affordable. In this article, I try to reveal this story in easily digestible chapters and show examples of today's best modern supporters.

I think it was the beginning of a new era. In order to create electronic music, it was no longer necessary to use the studio or live technology. Until now, this was only the area of ​​artists who liked Kraftwerk, whose arsenal of electronic instruments and custom-designed gadgets dreamed of ours, even if we understood the logistics of their operation. That said, when I grew up in the 60s and 70s, I still had not enough knowledge of how normal the work was in previous decades to arrive at this point.

The Story of Electronic Music for Many by Karlheinz Stockhausen (1928-2007). Stockhausen was a German composer Avante Garde and, since the 1950s, a pioneer in electronic music, which influenced the movement, which could ultimately have a strong effect on names such as Kraftwerk, Tangerine Dream, Brain Eno, Cabaret Voltaire , Depeche Mode. the experimental work of Beatles and others in the 1960s. His face is on the cover of "Sgt. Pepper's Lonely Hearts Club Band", the master of the Beatles 1967 Opus.

The turn of the 20th century

Time still stood in this stargazer when I originally realized that the first documented, exclusively electronic, The concerts were not in the 1970s or 1980s were in the 1920s!

The first purely electronic device, Theremin, is played without touch, the Russian scientist and cello, Lev Termen (1896-1993), invented around 1919.

Theremin made his debut with the Leningrad Philharmonic in 1924. The interest in therapy has attracted the audience to concerts in Europe and Great Britain. In 1930, in New York's prestigious Carnegie Hall, classical music was performed, with only ten theremins. Some trained musicians watched who played the eerie sounding device by waving around their antennas, so exciting, surreal and alien to the technological audience!

For those interested, see the recordings of Theremin virtuoso Clara Rockmore (1911-1998). Lithuanian-born Rockmore (Reisenberg) worked with the inventor of New York to improve the instrument in the early years and became the best-known, brilliant and acclaimed artist and representative of his life.

In retrospect, Clara was the first celebrated star of "true electronic music. It is unlikely that you will find more classic but beautiful performances on Theremin.

Electronic Music in Sci-Fi, Cinema and Television

Unfortunately, and due to difficulties in acquiring skills, the future of Theremin as a musical instrument was short-lived. Finally, he found a gap in his 1950s Sci-Fi films. The 1951 classic "The The The Earth Stood Still" movie, influential American film composer Bernard Hermann (Alfred Hitchcock "Psycho", etc.) with his music-rich "extraterrestrial" score, two Theremins and others

A Theremin, French cello and radio telegraphist Maurice Martenot (1898-1980) vacuum tube oscillator technology began to develop Ondes Martenot (in French, called Martenot wave)

Using a standard and familiar keyboard that a musician easier to learn, Martenot's instrument was successful, where Theremin failed to be user-friendly. In fact, it has become the first successful electronic instrument to be used by composers and bands to date

On this topic, he appeared in the first 1960s Star Trek TV series and heard

Expressive multi-timbral Ondes Marten, despite being a monophony, is the closest tool of his generation that I have heard, which approaches the sound of modern synthesis.

"Forbidden Planet" was released in 1956, the first major commercial studio movie featuring only electronic audio tracks … with the introduction of Robbie the Robot and the impressive Anne Francis! The pioneer score was produced by Louis and Bebe Barron's husband and wife team, who created the first private studio in the US in the late 1940s to record electronic experimental artists such as the iconic John Cage (whose own Avante Garde's work questioned ) the definition of music!).

Barrons generally recognize the use of electronic music in the cinema. On the one hand, a soldering iron, Louis, built the circuit that was manipulated to create a variety of bizarre, "apparent" effects and motifs for the film. Once completed, these sounds could not be replicated because the circuit deliberately overloads, smokes, and burns to produce the desired sound output

. then re-manipulated them with delay and echo, and renamed the end product creatively with multiple tape packages.

In addition to this labor-intensive working method, I would have to include what is arguably the most persistent and influential electronic television. signature ever: the theme of the long running 1963 British Sci-Fi Adventure series, "Dr. Who". This was the first time the television series had only presented an electronic theme. The "Dr. Who" theme was created in the legendary BBC Radiophonic Workshop using ribbons and test oscillators to penetrate effects, capture them on tape, and then recycled and edited another Electro pioneer, Delia Derbyshire.

As you can see, the most widespread use of electronic music in vintage Sci-Fi was the public's view of this music as "other secular" and "foreign-bizarre". It remained until at least 1968 when the album "Switched-On Bach" was released entirely by Moog's modular synthesizer by Walter Carlos, who became Wendy Carlos with some surgical hips and knives. [19659002] The expanded electronic music profile of the 1970s with the breakthrough of bands like Kraftwerk and Tangerine Dream, and especially in the 1980s, when he found several mainstream approvals.

Mid-1900s: Musique Concrete

During the 1900s, electronic music was not limited to electronic circuits to sound. In the 1940s, a relatively new German invention – a reel-reel tape recorder developed in the 1930s – was subject to the interest of many Avante Garde European composers, especially French radio broadcasting and composer Pierre Schaeffer (1910). -1995) who developed a montage technique called Musique Concrete.

Musique concrete (that is, "real world" sound against artificial or acoustic sounds produced by musical instruments) was largely a combination of fixed tape segments. found "sounds – natural, environmental, industrial and human – and manipulating them with effects such as accelerating or slowing down delays, reversal, distortion, bandwidth (varispeed), speed, etc.

Stockhausen actually held concerts on Musique concrete as a back cover (in this section, electronic and “real world” sounds were used in the recordings) on which the live instruments are played by the classical players who responded to the mood and motifs of the student

to Musique Beton not only to Avante Garde but to the 1960s. Important works for Beatles to use this method on pioneering tracks such as "Tomorrow Never Knows", "Revolution No. 9" and "Exploiting Kite", t as well as Pink Floyd albums "Umma Gumma", "The Dark Side of the Moon" and Frank Zappa "Lumpy Gravy".

Today it can be done with simplification, digital sampling, but yesterday's heroes have been working hours, days and even weeks to spend four minutes! For those of us who are contemporary musicians, understanding the history of electronic music will help you recognize the recent quantum leap. But these early innovators, these pioneers – many of which are in the line – and the important shapes we are influenced have created the revolutionary foundations that have become our electronic musical heritage today, and I respect them! 19659002] 1950s: The First Computer and Synth Play Music

A few years to 1957 and into the first computer into the electronic mix. As you can imagine, it was not a portable portable device, but consumed a whole room, and the user-friendly is not a concept. Nonetheless, creative people continued to put pressure on borders. One of these is Max Mathews (1926 -), Bell Telephone Laboratories in New Jersey, who developed Music 1, the original music program for computers, based on the roots of all subsequent digital synthesis. Mathews, the father of "Computer Music", using the digital IBM Mainframe, was the first to synthesize music on the computer.

Stanley Kubrik 1968 & # 39; 2001: At the Highlight of Space Odyssey & # 39; The 1961 Mathews electronic edition at the end of the 1800s was a song by Daisy Bell, where the musical experiment is carried out by the programmed mainframe with the computer synthesized human singing method that was pioneered in the early 60s. the HAL is regressing the computer, "returning to this song, respecting its" own origins "

was the first advanced synthesizer, RCA Mk II Sound Synthesizer (Improvement in 1955). This huge RCA Synth has been installed and will continue to be in the New York Columbia-Princeton Electronic Music Center, where the legendary R obert Moog has been working for a while, universities and technology laboratories as the main home for early and early music synthesis.

1960s: Early Dawn of Moog

The logistic and complexity of composing led to the musician's unfriendly synthesizers requiring more portable playable devices. One of the first answers, and certainly the most successful, was Robert Moog (1934-2005). Playable synthesizer uses the familiar piano-style keyboard.

The modular synthesizer type of the Moog High Capacity Phone Module could not be transported and set up with any ease or speed! The popularity of his popularity was due to Walter Carlos's success, as mentioned earlier in 1968. The best seller of LP (Long Player), "Switched-On Bach", was the best because the album was first released

The album was a complex classical music performance with several different songs and overdubs, because the synthesizer was only monophonic! Carlos also created an electronic score for "The Clockwork Orange", a disturbing 1972 futuristic film by Stanley Kubrik.

From this point on, the Moog synthesizer has spread to many contemporary albums of the 1960s. In 1967, Monkees & # 39; "Fish, Aquarius, Capricorn & Jones Ltd" became the first commercial pop album featuring modular Moog. Mickey Dolenz singer / drummer actually bought one of the first sold items.

Until the early 1970s, however, the first minimoog seemed to be a serious concern for musicians. This portable low-fat unit has had a significant impact on live music sets for many tourist musicians in the coming years. Other companies, such as sequential circuits, Roland and Korg, have started to produce their own synthesizers, and have created a musical subculture.

I can't close the 1960s chapter without referring to Mellotron. This electronic-mechanical device is often seen as a primitive forerunner of a modern digital sampler.

Developed in the early 1960s and based on Chamberlin (a cumbersome device designed by the US from the previous decade), the Mellotron keyboard has previously been launched. fixed tapes, each key that corresponds to the correct note and pitch of the pre-loaded acoustic instrument

The Mellotron is legendary on the Beatles' 1966 "Strawberry Fields Forever". Paul McCartney's spooky introduction uses flute levels.

The popularity of the instrument was overturned and used to record many times, such as the highly successful Moody Blues epic "Nights in White Satin". In the 1970s, progressive rock bands became more and more accepted. Electronic Pioneers The Tangerine Dream featured in their early albums

With time and further developments in microchip technology, this charming instrument has become a memory of the era.

1970s: The Birth of Vintage Electronic Bands

Early Liquid Albums of Tangerine Dream, such as "Phaedra" from 1974, and "Ambient Music" by Brian Eno independently David Bowie's "Heroes" album, both musicians and

Kraftwerk, whose album album "Albobahn" in 1974 achieved international trade success, made the media even more accurate, with electronic beats and rhythms, and almost high synthetic melodies. Their minimalism suggested a cold, industrial and computerized urban world. They often used voice codes and speech synthesis tools, such as the beautifully speaking Speak and Spell, and the latter as a child learning aid

. successfully combines all the elements of electronically generated music and noise and makes easily recognizable song formats. Adding the vocals in many songs, both in their mother tongue and in English, has helped to gain universal recognition as one of the most influential contemporary pioneers and performers of contemporary music of the last half century.

Kraftwerk 1978 gem & # 39; Das In February 1982, the Model found the English version of The Model, which is one of the earliest Electro chart toppers

. EM (Electronic Music) to facilitate wider acceptance. In the mid-1970s, the punk movement, especially in Britain, brought a unique new attitude: one that preferred self-expression rather than performance-skill and formal training, as did contemporary progressive rock musicians. They epitomized. The initial aggression of the metallic punk became less abrasive at the end of the 1970s: New Wave. This, coupled with the comparative affordability of small, easy-to-use synthesizers, led to a commercial synthetic explosion in the early 1980s.

The new generation of young people has begun to explore the potential of these tools and has begun to challenge the recording perspective of contemporary music. However, this did not come without fighting scars. The creation of the music industry, especially in the media, has often disillusioned this new kind of expression and performance and sought to send it to the trash of history.

1980s: The First Golden Age of Electronic Music for the Masses

Gary Numan is arguably the first "Tubeway Army" of 1979, "Are Friends Electric? The Sci-Fi" Some of the pictures are made from the Science Fiction classic, "Do Androids Dream of Electric Sheep?" The 1982 "Blade Runner" hit the same book

Although "friends are electric?" The use of the dominant Polymoogs, with its usual drum and bass support, gave the song a very distinctive voice, the first synthetic release that reached the first British status in the UK during the post-punk years and helped in a new genre There was no more electronic and / or synthesizer music on the mainstream.

Further development of affordable electronic technologies for young creators and its transformation into professional studios

Designed in Australia in 1978, Fairlight Sampler CMI became the first commercially available polyphonic digital sampler, but its inexpensive cost was exclusively for Trevor Horn, Stevie Wonder and Peter Gabriel. Until the middle of the decade, however, smaller, less expensive devices have entered the market, such as the Akai and Emulator Samplers commonly used by musicians to replicate the sounds recorded in the studio. Sampler has revolutionized music production at this point.

In most large markets, except for the United States, in the early 1980s, it attracted electrically influenced artists. Many of us were an exciting era, I was in it myself. I know I was not alone in closing the distorted guitar and amplifiers and immersing in a new musical expression in the universe – in the world of abstract and non-traditional sound.

Home, the Australian Synthetic Real Real Real (& # 39; Send Me An Angel, "Heartland" album), Icehouse ("Hey Little Girl") and Pseudo Echo ("Funky Town") began to chart internationally Several experimental electronic equipment such as Severed Heads and SPK have developed culture overseas. 19659002] But by the middle of the decade, the first global electronic wave lost momentum because of the incredible resistance of old school music media. Most of the artists who started the decade mainly as electro-based disintegrated or were heavily hybridized with traditional rock tools. . Although the synthetic records hit the American maps, the first is the American League Top Top of 1982, "Don't You Want a Baby?" Overall, a few years before the American mainstream embraced electronic music, musicians and musicians around the world became solid. the dominant genre of the audience.

It was one of the electronic music in the USA in 1988. Often, in the press, they were desperate in their early years that Depeche Mode accidentally – and most often could not – led this new attack. In America, the cult status of a large part of the decade, a new high-quality rotation, now called the Modern Rock radio, resulted in mega stadium performances. Electro action on playing arenas was not yet common in the US!

In 1990, the New York fan pandemonium welcomed the members of the TV news and the "Violator" album, which released Madonna, and made Prince in the same year for American households.

1990s: The Second Golden Age of Electronic Music for the Masses

Before the "star music" retained the US mainstream and lost its commercial space in the mid-1980s Detroit and Chicago have become modest laboratories for the explosion of electronic music, which saw much of the 1990s.

Detroit in the 1980s, a post-Fordism American industrial wilderness, produced the tougher European impact Techno. In the early and mid-80s, Juan Atkins, an obsessive Kraftwerk fan, Derrick May and Kevin Saunderson, together with the household, were the backbone of major musical club cultures with primitive, often borrowed tools. the world. Highly cited artists, that informed early techno-development was a pioneer in Europe, such as the aforementioned Kraftwerk, as well as Yello and British Electro's Depeche Mode, Human League, Heaven 17, New Order and Cabaret Voltaire lovers [19659002] Chicago, four-hour drives, saw the development of the House at the same time. The name is usually derived from "The Warehouse", where the various DJ Producers contained a new musical amalgam. The house has its roots in the disco of the 1970s and, unlike Techno, is usually a song. I think Giorgio Moroder's work with Donna Summer in the mid-1970s, especially in the song "I Feel Love", is crucial to appreciating the 70's disco effects at Chicago House.

Many versions and subsystems have evolved since the crossing into the Atlantic Ocean, renewed and re-established, but the popular success of the two basic forms has revived the entire electronic landscape and associated social culture in many respects. The Techno and the House helped the primary challenge of mainstream and alternative rock as the preferred student choice of a new generation: a generation that grew up with electronic music and could be considered specific. For them, it was always music

The history of electronic music can still be seen as a technological development, and people's expectations of how music can move on further increase vocabulary and vocabulary.

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LED restaurant signs lead to more customers

The modern world and it certainly includes the modern restaurant world. There was a time when culture was much more homogeneous when we all listened to the same music, and we all watched the same program on the same three channels and everything you needed to proclaim to reach them. These days are long and therefore the LED restaurant signs are so effective.

Nowadays you have to fight for attention. People are constantly bombarded with information on all sides. Even a mobile phone has music, video, text, and the internet, and that in itself would be enough for people to have limited information bandwidth to say thousands of channels, customizable radio stations, and everything else. to shout for attention.

Not surprisingly, fast food and chain restaurants have become so popular. They don't have to pay attention, they're just there. You don't have to fight your customers' attention, or at least for big pockets and marketing departments. The owner of the small restaurant, who is there in the world, has to work with what they know.

An LED restaurant sign is a little way to get the attention of the pie, but it's very good. Placing an LED in the restaurant is a cheap, highly effective way for people to notice the restaurant. It's a great way to get even the small restaurant out of the crowd, and people come in and enjoy the food.

The LED indicates the light emitting diode, which is just a tiny, really effective light bulb. Because they are so small, you have a lot of flexibility with what you can do with them, and most of them are animated to get the least possible signal.

Modern customers have been forced to block advertising and signs coming out most of the day. Do you notice the bulletin boards that you pass on to work? LED restaurant signs, with animation and smart design, can get the mental editing that most people do.

You can get an LED signal that you can change by typing on a computer or with a preset pattern. Any one will help you to comment on your potential customers, and this is the first step in creating a new client that's exactly what everyone wants in the restaurant.

LED signals are incredibly energy efficient, another bonus for the small restaurant owner. This means that you can set the signal and forget it, let the signal run at night and day, and advertise it even when it is clenched in bed for every penny.

LED restaurant signage is not every end point, and every restaurant is a marketing, but a great place to start, and a small amount of money to invest in can be absolutely shocking.

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